|"Prime Suspect," which features the life and exploits of Jane Tennison, a fictional Detective Chief Inspector with the Lond police, is one of public television's most successful film series. The award winning series has been praised for its accurate and trenchant treatment of women professionals, and critics have hailed Tennison as one of the most popular TV policewomen ever. Others, however, see Tennison and "Prime Suspect" as a failed, if valiant attempt, to transcend the stereotypes common to women in this television genre. In this paper, we consider the second film in the "Prime Suspect" oveuvre, "Prime Suspect 2." We focus first on the film's treatment of race (in terms of individual vs. institutional level racism). Second, we consider Tennison's increasing characterization as a lonely, isolated figure in a post feminist narrative.
(Return to Program Resources)